My Chat with Jonathan Adler and his Launch Party at KaDeWe Berlin

Hello friends! I have a very special guest today on cattledogs, Mr. himself! Swoon! I had the pleasure of working with Jonathan and his team recently because he officially launched and I got to be a part of that, which was an absolute honor and career highlight for me. 

My relationship with the brand started in 2006, when JA advertised on cattledogs, which really helped me to quickly gain credibility as a new journalist and blogger. I will always be grateful for his support. Later, I asked if I could work in his home for a day in 2011 to style and photograph it for Decorate, and he accepted gladly, another special moment in my career.

KaDeWe - Event: Jonathan Adler - 17.01.2018

I’ve been around his products for years, I’ve watched how his collections have evolved, and I even own a lamp, serving dishes, Christmas ornaments, candles and bookends. I also have most of his books too, and last month, he signed one for me which made me so happy.

If you’re like me and don’t live near a JA retail store, you may have also only shopped his collection online, but good news for me now! He has a concession in nearby Berlin in one of the oldest, most famous and decadent department store in Germany called . In fact, last month he was in Berlin to launch his collection and I was there to meet him and see his latest creations up close and personal and it was great.

KaDeWe - Event: Jonathan Adler - 17.01.2018

But first, the pre-party. I met JA the night before the launch at a swanky French bistro with a small group of journalists and friends/colleagues of his in Germany, including Dag, his new German distributor, and Micah, from the New York office. With us was also his London-based PR firm who were in charge of organizing the pre-launch and launch. Naturally I have to shout them out because they are the reason I got this spectacular invitation to work with his team in the first place.

Because it was Fashion Week in Berlin, the restaurant was filled to the gills with fashionistas wearing very expensive, and expressive, frocks. It was fun to be immersed in this gigantic French-inspired restaurant, eating schnitzel, sitting across from Jonathan discussing the horrors of nudity in German saunas, and general people-watching in this beyond loud hot spot, but the buzz and energy was just fantastic.

KaDeWe - Event: Jonathan Adler - 17.01.2018

At his KaDeWe launch the next day, many of his fans showed up and all eyes were on Jonathan. A few were quite star struck, three of my friends’ hands were shaking when they walked up to him, because it was a big deal for them to meet their interiors idol. Luckily though, he’s a nice guy, grounded and funny, so the evening felt very relaxed and friendly.

KaDeWe - Event: Jonathan Adler - 17.01.2018

I also respected so much that he offered to sign ceramics for his guests who purchased them during the party – I was so impressed and regret that I didn’t think to ask him for a signed piece. I was so caught up in the moment that it didn’t occur to me until I was on the train ride home that I’d missed out on such a special opportunity.

KaDeWe - Event: Jonathan Adler - 17.01.2018

I must confess, I’m even more endeared to his collection than before I met him. Something clicked when we spoke, in the sense that I felt like he really works hard for his success, earned everything he has, and continues to show commitment to his brand, team and products. JA is involved in all aspects of his business and has a very close relationship with his staff but also with his workers abroad who are dispersed all over. He visits them, watches them make his products, inspects, gives his opinions, he's present and involved. Respect.

KaDeWe - Event: Jonathan Adler - 17.01.2018

When I interviewed Jonathan, one of my first questions was, "Since you are always on the go, when do you even have the time to design new collections?", and he explained that while on the road, he’ll have an idea and immediately, he'll call his team and/or sketch the idea out. He also added a good point that I often think about a lot, "We are all very lucky to live in this age because the internet makes it so easy to get our work out there but also to run and manage a business, you can text or phone your staff instantly!", and from there, at least for him, it's done!

KaDeWe - Event: Jonathan Adler - 17.01.2018
You should surround yourself with stuff that means something to you. Sometimes people just get things that are fine, and “will do”, and I feel like you should never settle, you should always seek the sublime.
— Jonathan Adler

I find it worth mentioning a little about his background, since we always tend to judge someone successful as having had it all handed to them somehow. Jonathan openly shared that he grew up on a farm in southern New Jersey, definitely not in a hot spot for design. He explained that this somewhat mundane environment fueled his creativity because he aspired for more - to dream and design.

KaDeWe - Event: Jonathan Adler - 17.01.2018

I asked him about what he thinks when young people come from similar places, not from the hot spots like New York City where he has lived now for many years, and he responded without hesitation that he actually worries about the kids in NYC that he knows, because they are growing up so privileged with everything handed to them, and he wonders what they will have to look forward to someday. I was touched by his honesty, because often when you are flying among the stars all day, you lose touch with reality and forget how most of the world lives. I can tell Jonathan has never lost touch with his roots and that he is relatable and genuine and this made me see him and his work in a whole new way. For me, it gave me a clearer picture of who he really is and before, that was always missing.

We are all very lucky to live in this age because the internet makes it so easy to get our work out there but also to run and manage a business...
— Jonathan Adler
KaDeWe - Event: Jonathan Adler - 17.01.2018

We also chatted about his overall line, as it has evolved since years back. He has grown it in a more sophisticated direction, which I like, because it fits his products and price point much better, while still retaining his tongue-in-cheek wit that made him famous in the first place. I believe that his sense-of-humor (combined with his obvious talent) really put him on the map because he came into design with his unexpected and eccentric pieces at a time when design was still pretty serious business in the United States. Vases were meant to be beautiful objects of art at the price point in which he sells at. But he challenged how we see objects. He made things that were cheeky and today, he still does. His humor is his strongest selling point, and it runs through everything that he designs, and I believe JA will be embraced by Germans since, once you really have a German friend, you learn quickly that all of the serious professionalism that they show publicly is often just one face; behind closed doors they are fun-loving, warm and quite funny.

KaDeWe - Event: Jonathan Adler - 17.01.2018

I asked Jonathan to articulate how he personally sees his collection because I enjoy listening to how someone defines their own work. He explained, “I call it Modern American Glamour. Modern in the sense that I always try to make things that are new, creative and have never been seen before. American, as I feel like my stuff has an American-ness, which is impossible to define, but you can see it in my collection, an optimism, the freedom in America, so my work feels American. And Glamour, it’s another tough word to define but to me Glamour is about making stuff that is bold, memorable and shiny.”

KaDeWe - Event: Jonathan Adler - 17.01.2018

We also discussed his philosophy when it comes to the home and how he feels about the things we bring into it and he explained, “Your home should make you happy and should be eccentric and personal. You should surround yourself with stuff that means something to you. Sometimes people just get things that are fine, and “will do”, and I feel like you should never settle, you should always seek the sublime.”

KaDeWe - Event: Jonathan Adler - 17.01.2018

We spoke briefly about his line in Germany, since it just officially launched here, and how it’s been received so far by consumers. He remarked, “Luckily it’s been really well received, thank God, and gives me an excuse to always come back here… I think that to me a lot of contemporary German homes are quite minimal and in that sense my stuff works perfectly because my actual objects are minimalist.”

I thought about that for a moment, because I never in my life would have thought of anything from him as minimalist, but stepping back I believe what he meant was that you could take a lamp from his collection, or a vase, or a single object and place it in a more minimalist environment and it would still work and fit nicely. His objects only become "maximalist" when you place them all together or in spaces that are already very full-on and decorated.

Your home should make you happy and should be eccentric and personal.
— Jonathan Adler
KaDeWe - Event: Jonathan Adler - 17.01.2018

If you live (or are visiting) Germany, please visit the official Jonathan Adler shop within KaDeWe on the 4th floor or visit in Munich or in Dusseldorf to experience his products in person.

Jonathan, it was an honor and pleasure to meet you, and thank you so much for signing my book and for the time that you spent with me – it was a very nice few days in Berlin with you and Team JA! All the best, and welcome to Germany!

(Photos: With permission from the )

 

The One e-course You Need To Take in 2018

Hello everyone! As the snow hammers down on many of us, let's talk about something really positive and exciting for a moment, shall we? If there is one you need this year, it's the one we'll teach in March/April. I know that sounds a little arrogant to say, but I'm so confident about this class because I've teamed up with my friend, Agata Dimmich, a stylist living in Milan from , and together we will deliver for the first time.

This class promises to be inspirational, educational and lots of fun. We will show you lots of tricks and great ways (and challenging ones too, but that's good!) to pull together beautiful content for your blog and social media platforms. We have SO MANY new ideas to talk to you about in class! Weeee.!

If you register now, you will pay only $79! The class will be $99 soon, but for now, we are keeping it very, very affordable so those of you who may be a little short on $$$ can still afford to take it and be inspired and encouraged.

Agata Dimmich

From March 23 - April 9th, you will learn :

  • How to find your focus and plan your photos in advance
  • How to set up a space for styling a scene and how to style interiors
  • How to style and shoot flatlays
  • How to create a consistency between your visuals
  • How to style yourself (and friends) into photos
  • Camera tips and tricks for bright and sharp photos (though this isn't a photography class, one lesson will cover photography)
  • Product styling for companies
  • How to edit photos using Lightroom and your Smartphone
  • Case studies of stylists and what we can learn from them
  • And more about how to create gorgeous content for your portfolio, Instagram, blog, etc.

We will teach you through a balanced mix of:

  • Videos
  • Podcasts
  • Written materials
  • Live video chats
  • Questions you can ask us and fellow students in the forum

Plus the $79 fee includes:

  • A brief professional evaluation of your final project by Holly Becker
  • 2 week free class extension until Monday, April 23, 2018 at 5:00 PM CET.
  • Full access to our student-only forum where you can meet and talk to us and other students
  • Lifetime access to our private Facebook page with 2,500 student members
  • AND you can download everything (except the two live chats)

Some of our testimonials:

We hope to see you in our class, it will be so nice to welcome you and a great time of the year to get started - before all of the sunshine and beautiful weather arrives... We will get you ready for the months to come so you're able to rock your blogs and social media platforms. We will teach you simple techniques that can really transform your visual identity online and how you feel about your work - it doesn't have to be hard or time consuming - let Agata and I show you how!

(Photos: Agata Dimmich and Holly Becker)

12 Favorite Makers From Craft Council's Collect London 2018

Collect, the ’s annual fair, was established to showcase the premium end of contemporary craft, from museum-quality pieces in ceramic, glass and wood to conceptual installations. Collect filled the entire for its fourteenth edition, where the Crafts Council gathered 40 of the most prestigious galleries together to show more than 400 artists, from 13 countries around the world. It was a celebration of making, in all its disciplines. And talking of museum-quality, the were actually at the show purchasing for their collections.

When the weather is cold, don’t we all just want to cozy up and look at something pretty? Today I have 12 favorite finds from my recent visit to Collect, and I can't wait to share them with you. This is  and I’m back on cattledogs today with more inspiration for you from the UK.

I’m not much of a crafter myself, I think it must have skipped a generation as my Mom and my Grandmother were avid knitters and makers. Not me though, I’m quite hopeless.

A recent Craft Council survey found that 25-44 is the fastest growing age range of amateur crafters, from knitting clubs to spoon carving. It's not just a homegrown phenomenon though as there is a rise in professional designer-makers too. Maybe it’s a response to our increasingly digital lives. Maybe it is the need to do something physical with our hands. Whatever is at the heart of its increase, I think it’s great to see so much talent and creativity on display.

The sheer breadth of work is impressive at Collect, and there was so much that I really liked. To keep it simple, I’m going to share the 12 pieces that captured my attention.

1//  This year, designer Jay Osgerby and the Crafts Council team selected 14 makers from across the craft spectrum for Collect Open. One of those selected was who created their largest installations to date. Max Bainbridge and Abigail Booth who make up Forest + Found work with wood, natural pigments and textiles to produce sculptural and wall-based works. Their installation The Between explored the way humans interact with made objects.

Forest + Found on cattledogs

2//  I first saw the work of at the Future Heritage exhibition at in 2016. Cristina Vezzini specializes in handcrafted ceramics, and Stan Chen is a glassblower. They bring both disciplines together to make incredible objects, with my favorites being their lighting pieces. A highlight of the booth.

  Vezzini & Chen Sand & Water and Acropora  - Photo: Michael Harvey

Vezzini & Chen Sand & Water and Acropora  - Photo: Michael Harvey

Vezzini Chen Lighting

3//  , represented by the , is a highly regarded artist working in glass. His artworks can be found in museum collections in Japan, Germany and the USA. What I loved about his textured pieces was the overwhelming desire to touch them. Full of bumps and curves and reminiscent of colorful alien-like sea creatures, they had a bold yet playful feel to them. I imagine they’d look fantastic styled in a little tabletop vignette.

 Desire by Louis Thompson represented by London Glassblowing and Vessel Gallery. Photography: Jake Curtis. Art direction: Hana Al Sayed.   Via Zetteler.

Desire by Louis Thompson represented by London Glassblowing and Vessel Gallery. Photography: Jake Curtis. Art direction: Hana Al Sayed.

4//  Another watery, colorful and otherworldly example of gorgeous glass work. Glass artist (also with the ) uses two different processes that distort the layers of color within the blown glass components, giving the illusion of ink dispersed in water. This was one of the pieces that I would happily have walked away from the Fair with, if money were no object, of course.

4. Tim Rawlinson_Dispersion_London Glassblowing Gallery_collect 2018_ESPhotography.jpg
  Photos left/right: Ester Segarra

Photos left/right: Ester Segarra

5//  is inspired by a love of flowers, particularly orchids. Her sculptural flower collections are breathtaking in their detail, particularly when displayed in a large group as they were on the stand of who represent her.

  Photo: Ester Segarra

Photo: Ester Segarra

6//  Jo Taylor’s colorful Pride & Joy series was inspired by the Pride badge worn by someone close to her. Jo’s work made me smile as soon as I saw it because it was vivid, bold and saturated in color. The relationship between the six colors is fascinating but ultimately happy. Jo is part of the Young Master program at .

Jo Taylor
Jo Taylor

7 // exhibited a collection of furniture and vessels for Collect Open, using both digital techniques and traditional woodworking methods to explore "what lies beneath" the materials.

  Photo: Sophie Mutevelian

Photo: Sophie Mutevelian

8 //  Seeing a “domestic” table scaled to 2.5m long and 1.1m tall is slightly disconcerting. Table by metal-smith  is an installation of 20 unique tabletop vessels including a wine bottle, a jug, and water glasses, crafted from a mixture of patinated copper, brass, nickel silver and silver. There is something so familiar and routine about it, yet utterly throws you off balance. Beautiful and discombobulating at the same time.

  Photo: Sophie Mutevelian

Photo: Sophie Mutevelian

9 //  The showcased the work of the nominees and winners from the Young Masters Art Prize. Showing a variety of work from artists such as Matt Smith, Alissa Volshkova, Alice Couttoupes and Tessa Eastman. Drawing inspiration from the Old Masters either through technique, imagery or subject these artists are creating unique contemporary work.

  Photo: Sophie Mutevelian

Photo: Sophie Mutevelian

  Matt Smith, Photo: Sophie Mutevelian

Matt Smith, Photo: Sophie Mutevelian

10//  As one of the finalists for the LOEWE Craft Prize, represented by was on my must-see list at Collect. Inspired by tree bark, peeling paint and aging materials, this inspiration is very apparent in her Post-Surface series. The texture gives a sense of natural degradation and age, which is fascinating especially combined with a warm pink color. Irina fires her pieces 5-8 times until the layers peel to get the desired effect.

10. Irina Razumovskaya_Post Surface_Collect 2018jpg.jpg
archi_Q5f0CcD.width-1000.jpg
  Photo Left/Right: Royal College of Art

Photo Left/Right: Royal College of Art

11 //  Represented by Egyptian-born British ceramicist signature muted palette pulled me in to take a closer look at his Petrified Forest installation. Then I spotted his voluminous Undulating Vessels that he is so well known for, and they were sitting on top of the Galvin Brothers Battalion Spook Wood... Wow!

11. Ashraf Hanna_Petrified Forests_Cavaliero Finn _collect 2018 _photo credit Mary Middleton.jpg

12 //  An exercise in wood-turning, is a capsule collection of furniture made from hand-turned spindles in their East Yorkshire workshop and can be made to order in various shapes and sizes. Spook Wood is represented by .

12. Ashraf Hanna and the Galvin Brothers_Cavalierofinn_collect2018.jpg

So what do you think? Do any of these capture your imagination? Would you want to make a little space for them in your home?

These are future antiques after all. Sometimes I find at shows like this, it isn’t necessarily about coveting the piece directly but about being inspired by the shape, material or color and wanting to bring those elements into our homes. Hopefully see you again soon with my finds from an exhibition.

-

 

 

 

 

 

Wabi-Sabi Style in 10 Steps

Hi and welcome to a new week on cattledogs! Let's talk about Wabi-Sabi today, okay? Ever since reading, by Julie Pointer Adams last summer, and two years before that, , by Marie Kondo, I wondered exactly how these two lifestyle and decor trends would merge and find their "place" in modern living. Then came the Danish HYGGE as a "trend", which felt like a good way to merge eastern and western ideas and decor, and it still is.

  Pella Hedeby

Pella Hedeby

Yet, there is still a push towards even more simplicity and a better edit of our homes, which is why seems to be gaining traction. So let's talk about, shall we? First, a defniteion is important...

In traditional Japanese aesthetics, Wabi-sabi (侘寂) is a world view centered on the acceptance of transience and imperfection. The aesthetic is sometimes described as one of beauty that is “imperfect, impermanent, and incomplete”. It is a concept derived from the Buddhist teaching of the three marks of existence (三法印 sanbōin), specifically impermanence (無常 mujō), suffering (苦 ku) and emptiness or absence of self-nature (空 kū).

Characteristics of the wabi-sabi aesthetic include asymmetry, roughness, simplicity, economy, austerity, modesty, intimacy, and appreciation of the ingenuous integrity of natural objects and processes.
— Wikipedia
  Lotta Agaton Interiors

Lotta Agaton Interiors

I often wondered, after reading Kondo's books and then, Pointer Adams' book, how would someone get rid of everything on one side (ala Kondo's overarching theme - ultimate simplicity/minimalism) with the exception of a few things, while also having a wabi-sabi home which is, as Author Pointer Adams outlines in , "Wabi means something like simplicity, humility, and living in tune with nature; it describes someone who is content with little and makes the most of whatever he or she has, always moving toward having less. Sabi, on the other hand, refers to what happens with the passage of time; it's about transience and the beauty and authenticity of age,"?

  Wabi Sabi Style Moodboard by Lotta Agaton Interiors

Wabi Sabi Style Moodboard by Lotta Agaton Interiors

How will you have a very de-cluttered home with few belongings but also have things that you've saved over time which creates this sort of authenticity of living? Hmmmm. I guess westerners are creating a bit of Wabi-Sabi Our Way?

  Tisca Rugs "Wabi Sabi Style" by Lotta Agaton Interiors at Domotex, Hannover, Germany

Tisca Rugs "Wabi Sabi Style" by Lotta Agaton Interiors at Domotex, Hannover, Germany

I gave a lecture last month at in Denmark about trends and spoke about WABI-SABI and how I see it as a definite interiors trend. I've noticed this Japanese aesthetic gaining traction here in Europe and also in the United States - have you noticed this as well? That's why I thought to talk about it today, as it's something I find worthwhile of a good old-fashioned blog post - I actually miss writing posts like these where I really explore trends. I don't find Instagram as emotionally satisfying as a good blog post now and then, to really capture what I'm thinking and to put it on digial paper.

  Kristina Dam Studio

Kristina Dam Studio

Back to the books... While seemingly close in theory, The Magic of Tidying Up and the Wabi-Sabi Welcome book still feel very different to me in practice yet I'm beginning to see that the happy middle point is more of how I personally aspire to live. I see Wabi-Sabi as a lot more warm and less methodical, and definitely imperfect.

I like things in my home, I like some "clutter" (and I use air quotes because my clutter is 10 things on a desk, not piles of things), I like saving my skinny jeans because it does give me a good feeling to imagine getting back into them again (and I have a few times, they are always my bookmark of being in shape, or not), and I can't imagine ever throwing out some things from my son (like his wrist ID bracelet from his birth), yet I also know there is MAGIC in tidying up and having a lot less junk in the house that serves little to no purpose except to create chaos and stress.

The way Wabi-Sabi is being interpreted however, is a bit different but also the same, as how the Japanese have been doing it for ages. Wabi-Sabi to westerners seems to be Kinfolk, minimalism combined with clean lines and organic shapes and imperfection thrown in - but overall, definitely thought out and planned. Which isn't really so Japanese.

  Lotta Agaton Interiors

Lotta Agaton Interiors

I digress... But I wonder, how do you see this Wabi-Sabi Style fitting into your life? Could you adopt it? Let me explain further what it is in 10 Steps and then maybe you can answer that question better. It can be broken down this way:

1. EMBRACE AGING

I wish we could do this better with ourselves! Allowing things to age gracefully and enjoy what you have instead of always bringing in the newest and greatest. Not intentionally making something look worn or aged. Not buying something that looks aged. The age comes over time.

  Kristina Dam Studio

Kristina Dam Studio

2. NATURAL MATERIALS

Living and working with raw, honest, organic materials as much as possible. Less plastic, more wood. Glass, marble, ceramics, concrete, stone, metal, etc.

  Pella Hedeby

Pella Hedeby

3. NATURAL COLOR

Wabi-sabi draws from the colors of nature. What you see when you go to the beach, the mountains, the dessert - these hues, this is wabi-sabi color. Obviously, lots of neutrals and gray tones.

  Lotta Agaton Interiors

Lotta Agaton Interiors

4. NO FUSS

You don't need to press the linen drapes or the tablecloth, no need to hem the curtains, no worries if the floor has some scuff marks or the linen sofa is wrinkled and worn in a bit. As long as things are clean and fresh looking, no fuss, casual, simple - this is wabi-sabi and in a modern home, isn't this refreshing to live like this vs. having the perfectly pressed drapes and the tablecloth without a crease?

  Lotta Agaton Interiors

Lotta Agaton Interiors

5. NATURE

Bringing nature in. Sticks in vases, branches in pots, leaves scattered on the dining table for an Autumn feast, acorns in a bowl collected by your son, craft projects with natural materials (think: Waldorf School style - my aunt was a educator at one in New England and I love and fully support their curriculum), in pottery, the key is not to overdo it and let things fall as naturally and loosely as possible - again, no fuss! No perfection!

  Sania Pell For Elle Decoration, UK

Sania Pell For Elle Decoration, UK

6. LIGHT

Embracing and enhancing as much natural light as possible. I leave the lights off until it's dark outside, which saves on our electricity bill but also I feel better working near the windows and keeping my home very light and bright. In rooms where privacy is essential, I have natural linen drapes and shapes. But out of the 10+ rooms in my home, only 3 rooms have linen drapes, the rest of shades or nothing at all. I find this daily connection to the outside world really helpful - it is great for depression because you don't feel isolated and alone when you see people and homes and are forced to be part of the daily routines of others - you can't draw the thick velvet drapes and stay cocooned in - and I like this.

  Pella Hedeby for RUM Hemma, Photography by Sara Medina Lind

Pella Hedeby for RUM Hemma, Photography by Sara Medina Lind

7. SCENT

Open the windows. This may not be part of wabi-sabi style as much as it's something I've added here because I open the windows in all seasons, once a day at least, to keep the fresh air circulating and new smells to come in and old ones, to exit. I use healthy, organic candles and also I have and use essential oils to make the home smell wonderful. I also use , even for our clothing, and my house smells and looks so nice just from a few simple, but effective products.

  Lotta Agaton Interiors

Lotta Agaton Interiors

8. STRONG EDIT

This is one of my favorite things about decorating but also where I'm at in my own decorating timeline, which is, the importance of a good, strong edit. You hear this a lot in fashion but it applies as much in design for the home and styling overall. It's fine to curate and collect, but you need to have a real editor's eye and give a good edit before calling your vignette, room or even the home, "done" (at least for this week, no one ever finishes the on-going art project that is decorating). A strong edit is essential in the style of wabi-sabi because humility is, to me, a fundamental characteristic of this Japanese aesthetic.

For instance, Jonathan Adler and Abigail Ahern are NOT wabi-sabi in any way, shape or form. They are maximalists, they thrive on being over-the-top, overly decorated, bling, fun, personality, stuff!

But then you look at someone like a trained architect turned product designer, and also out of Sweden (whom I had the pleasure of meeting in Hannover, Germany last month), or even London-based Stylist and Art Director has gone into this direction in the past 6 years, and you see humility, paired back, a strong edit, and that definitely less is more.

  Sania Pell for Elle Decoration, UK

Sania Pell for Elle Decoration, UK

9. CLUTTER FREE

Along with a strong edit when decorating and choosing objects for the home comes a clutter-free environment. You don't really need all of those sweaters, socks and extra shoes (that are no longer even stylish in your eyes), do you? Do you need to keep ALL of the baby clothes from when your son was little? Can you keep maybe a few outfits and donate the rest? Even digitally, do you need your computer hard drive to be packed with millions of photos that you'll never refer to, or need? Digital clutter is also clutter. Consider strongly what you need and what you don't need and be ruthless!

  Sania Pell for Elle Decoration, UK

Sania Pell for Elle Decoration, UK

10. USEFUL AND PRETTY, IN BALANCE

I have been preaching this for over a decade in my books, along with most of the things on this list above though I don't have a "wabi-sabi style" home, but I believe in having useful and pretty things that we're using daily. You don't need to have an ugly neon green toothbrush when you can buy a nice looking wooden toothbrush from Muji, you don't need to have your bathtub littered with products with ugly labels that make your eyes hurt - you can store them away, put the contents in clear simple bottles (again, Muji), or buy products with labels that are good-looking and are pleasing to you visually. Some people are more sensitive visually than others, just as some are more sensitive to smell and sound. I think people in the decorative arts are very visually sensitive and anything that introduces stress to them has to be dealt with, even if to others it makes us look a little crazy or OCD. But I do believe strongly that you can have pretty soap in nice dispensers, towels that look and feel good against the skin, mi tools and bowls for the kitchen that fit your personal style too, and that you aren't going to necessarily pay more for the white bowl versus the ugly one that has the crazy pattern on it.

So, what do you think? Could you embrace this style of living? Or at least, try to create your own version of Wabi-Sabi at home? And if so, how do you intend to do this - any of the 10 tips above resonate with you?

(Photos credited above)